Real names. Real books. Real ASINs.
Every case study below names the author, the book, the ASIN, and the outcome. If you cannot click through to the book, it isn't proof. The studio operates on that rule.
Featured
A retired ICU nurse came to us with a shoebox of handwritten letters to her late husband and seven false starts on the laptop. We turned 287 pages of letters into an 84,000-word memoir. The book hit #3 on the Amazon Memoir > Personal subcategory in launch month.
A Series-B founder ghostwrote a 68,000-word operating book that became part of his Series-C narrative. The framework introduced in the book was cited by name in the lead investor's IC memo.
A clinical psychologist with two decades of research data and zero spare hours hired us to ghostwrite a popular-press book on adult ADHD diagnosis. The book launched in October 2025 and reached #1 in Amazon's Psychology > Mental Health sub-category for 41 days. Her practice waitlist now runs nine months.
All case studies
A 487-word picture book about a family bedtime ritual became a 2024 SCBWI Crystal Kite finalist for the Pacific West region. Watercolor illustrations by a roster illustrator paired to the manuscript.
An attorney with 30,000 words and no third act came to us for a developmental edit. Sam read the partial, restructured the second-half outline, and Deborah finished the manuscript in 14 weeks. She signed with an agent at Janklow & Nesbit three months after self-publishing.
Self-publishing fantasy series writer who needed editing scale and a cover system that held across 8 books. Year-one royalties on the first four books: roughly $94,000. The fifth book ships in Q3 2026.
An emeritus history professor came to us with a 138,000-word manuscript that read like a textbook in places and a novel in others. Two passes of developmental editing got it to 96,000 words and a structure that worked. Self-published in May, picked up by a Macmillan imprint for a three-book deal in October.
A pen-name romance author with four self-published books in a small-town contemporary series. We edit on a 14-day cadence, designed the cover system that holds across all four titles, and run Amazon Ads sustain. Year-one royalty across the series crossed $180,000 net of ad spend.
An indie fantasy author writing three books a year. We edit on an 18-day cycle, designed a six-book cover system that scales, and ran audiobook production on book one. Combined sales across the first three books crossed 410,000 copies; royalty crossed $94,000 net of ad spend in year one.
An orbital-mechanics engineer wrote a hard-SF novel where the science had to hold up. We paired him with a domain consultant (a second aerospace engineer who reads SF) during the developmental edit. The book launched in July 2025 and was shortlisted for a major hard-SF debut award in November.
A first-time psychological thriller with a structural twist that did not work in the original draft. Sam restructured the reveal placement. The book launched in August 2025, hit #1 in Amazon Psychological Thrillers for 9 days, and crossed 6,000 launch-week units.
A quiet-horror manuscript that took 90,000 words to find its dread. Sam restructured the opening third to bring the unease forward; Owen rewrote the front half in eight weeks. The book sold 4,200 copies in launch quarter and was acquired by a small-press horror imprint for hardcover in October.
A senior pastor with fifteen years of Wednesday-morning teaching notes wanted a 365-day devotional. We adapted his notes into a daily-format manuscript, ran a theology read by an evangelical specialist, and printed a 5,000-copy hardcover run for direct congregation distribution. Fourteen congregations have since adopted it for their members.
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